Entry tags:
A post that is not epic! For once!
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Usually, "other" means "a variety of small book fandoms, indy comics, and/or obsolete video games. But mostly small book fandoms".In other random fandom news,
In the RPS category, it specifically means "British comedians that are on panel shows a lot". (But also Discovery Channel, NPR, and various other media personalities and presenters that aren't exactly either actors, pundits, or reality-show people, and have shows and fandoms that blur the border between real and fictional; I don't even know how to describe the genre, but I know it when I see it. Mythbusters. A Prairie Home Companion. OMG SOMEBODY HAS ACTUALLY WRITTEN 3-2-1 CONTACT FIC. Anything John Hodgman-related. Top Gear. You know. That.)
Also, Muppets/Sesame Street is an RPS fandom, because muppets are real people. :P
And by "other actors" - Doctor Who/Torchwood RPS. even if nobody has written me any Pertwee/Delgado yet, sadface.
And the "Sports figures" tickymark means "90% of the time I could care less about pro sports but figure skating hits my kinks every time, why god why."
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I agree halfway: if the secret is discovered too easily, or the people trying to figure out the secret don't have to do the work, it ruins the crossover. But my problem with many of the example crossovers people listed is that the figure-outers ought to *know the secret already*, because the figure-outers in our fandoms are usually pretty well connected and very good at what they do. And if they don't know, it's probably because the secret-keepers have been actively interfering with them well before your crossover started. These are people whose avocations mesh: they shouldn't always be walking into the crossover with a clean slate.
Example: House/Stargate crossovers. I can't read most House/Stargate crossovers, because if you accept Stargate canon, House almost certainly *already knows* about the Stargate project, at least its existence. He's universally acknowledged as one of the world's best diagnosticians, a specialist in epidemiology and infectious disease, and a certified genius. He's regularly called (and sometimes conscripted) to solve medical problems for government agencies, including sometimes security-sensitive ones. If he wasn't on Dr. Frasier's go-to list for consults from about S1 of SG1, then something is wrong with your universe.
Plus, at least once Stargate Command actually invoked their "evacuate your list of selected scientific geniuses to the Alpha Site" protocol, so chances are House has not only been pulled into consults for Cheyenne Mountain, he's actually *been off-planet*.
...in fact, that applies to any Stargate crossover with a fandom where one of your main characters is a certified genius or the best in their field. (Bones and Numb3rs, I'm looking at you.)
The inverse applies, too. For example: any Highlander crossover in which any FBI agents are involved. In Highlander canon, there are Immortals (and Watchers) who have infiltrated the FBI (and, by implication, other law enforcement) specifically to prevent the secret from getting out. So your Mulder And Scully Investigate Beheadings story had better explain why Matthew McCormick isn't getting involved.
There is no universe in which I believe that Torchwood/UNIT and the Ministry of Magic are mutually ignorant of each other; if nothing else, the poor PM has probably called the Minister of Magic in panic over something that was Torchwood's fault, and vice versa (Okay, a story where every time that happens, they wipe each others' memories and the PM is the *only* one who knows would be amusing. Admittedly. But even then the PM should know about both.) And anyone who's top of their craft in forgery, fraud, or criminal capers probably knows Dr. Brennan's family, by reputation if nothing else (H'lo Leverage! White Collar! SPN!) (A story where Burke and Booth are put on the same case and it turns out Neal spent a summer 'prenticed with Tempe's parents and was her first crush: awesome, or *deeply* awesome?)
There are some universes in which the noncomprehension does work. NCIS/Stargate, fr'ex: it's believable both that Stargate Command is too disorganized to quash the investigation immediately, and that NCIS would be obedient enough to actually stay quashed. Or any excuse that requires Torchwood to be incompetent is fine with me. It's when, by in-universe logic of one or both universes, they *should* already know, and they *don't*, that I lose faith.
This isn't to say I don't like that kind of story; "ships passing in the night" or someone who almost-but-not-quite solves it are a ton of fun. But these canons (even the technically non-SF ones) are full of over-the-topness and coincidences and people who are way too good at too many things: run with it. (One or more) of your figure-outers already knows the secret, and has to hide both that they know and how they know: this makes your story even *better*.
...all of the above of course assumes that you're writing a crossover where the two canons take place in the same universe. When you get people moving between universes, other issues crop up. (Although related ones, really. Most shows, SF or not, have had an AU episode of some kind by the fourth or fifth season: your characters really shouldn't be going in to that blind, either.)
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It might be the champagne, but I feel like there's a bumper sticker in there somewhere.
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Interesting post. I always figured that Kate, at least, would know *something* about the SGC, even if no one else from NCIS does. The possibility of alien baddies would be relevant information when you're on the President's secret service detail.
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I'm now picturing a bunch of Secret Service people sitting in a room learning how to tell if the President or those close to him have been taken over by the Gould. And other things to do during a Foothold situation.
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(Really, someone like that probably knows about *all* the secret agencies and conspiracies that work through or with the US Government, from every fandom.)
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I would read that.
I prefer my secret conspiracies to actually work together rather than against each other, but then I always preferred the ones where Awesome People Team Up! (You know, mashing up Indiana Jones and The Mummy or having House's old buddy Buckaroo Bonzai show up or something.)
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The ones where they attempt to team up but their ingrained mutual secrecy keeps causing hilarious mishaps are fun too, though. Also when they're competent and cooperative you need a plot for them work together on, but when they're working at cross-purposes you don't really need any other plot: that helps, too.
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I'm waiting for the story where somebody breaks the SGC's cover in the media, and the world's reaction is "Okay, so where's the part that's actually news?"
(It's almost as silly as writing something set in New Who universe where people don't know about aliens and alien contact. Not quite, but almost.)
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I want a story about the people who try to cash in on all their coupons for a square mile on the moon from 1950s cereal boxes. And the time everybody sued everybody else for militarizing space. And the roaring trade in Real Genuine Alien Artifacts which used to be souvenirs of Egypt, made in China.
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I want White Collar/Batman. Want Peter & Neal to be sent to Gotham on the trail of some international art thief, and wind up staying at the Wayne mansion.
Want X-Files/Harry Potter. Because while the FBI may know about the existence of wizards, I'm pretty sure nobody's told Mulder.
Now I want to make a big chart with Secret Keepers in column A and Figure Outers in Column B, and convince someone there needs to be a ficfest about it.
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(I have written X-Files/Harry Potter crossover, actually. Because Scully's brothers were too much temptation. But somebody needs to take the idea and do a less cracked version.)
Also, Batman/any (other) law enforcement fandom is pretty much instant awesome. (I can't write them, because I feel like I'd need to have read Gotham Central which I haven't managed yet, but not everybody is as obsessive about peripheral Batman canon as I am.)
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The weird thing about House for me is that you can have him in the know on almost anything and I'll just go with it because it's House. I've never actually thought about the fact that he's probably on the To Save list. Now I'm wondering if Reid (Criminal Minds) would also be on the list. Genius in multiple subjects and has more stored in his head about behavioural science then they could possibly take with them. This is an interesting thought for Stargate crossovers. Thank you.
(One or more) of your figure-outers already knows the secret, and has to hide both that they know and how they know: this makes your story even *better*.
I would go further and say make it someone you wouldn't expect. At this point if I'm reading a NCIS/Supernatural crossover I'm pretty much expecting Gibbs to already know about the Supernatural. It's boring by now. Give me a story where McGee actually grew up in a Hunter family or Kate's not just a former Catholic schoolgirl.
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I think a lot of Stargate fans try to ignore the existence of the To Save list (and it really is ... not a shining moment in Stargate's continuity files) but with any kind of story about outsiders & the secret coming out, it really *ought* to be addressed that all of these luminaries know, not to mention all the controversy potential about who gets on the list and who doesn't. Plus, crossoveryness! (Someone really ought to write the story about what happens when all the crossovered geniuses are stuck at the Alpha Site together, too.)
Oh, and people who were raised in Hunter families, yes! I have this private backstory where the McKays were hunters (it makes sense in my head, okay) but really any character who doesn't talk about, or is cut off from his/her family backstory can be made a hunter like *snap*... (Ianto Jones! Seeley Booth - his first name must have come from *somewhere*!)
I do have to be a bit more careful there, though. If I can back it up with actual canon, I feel like I can be a bit more free with the connections - it's easy to go too far and get accusations of, you know, the equivalent of making everybody Harry Potter's long-lost sister.
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The To Save list may not be the nicest thing in existence, but it makes a lot of sense, both in-world and real-world, politically as it's something that it would just be odd not to have. And it does provide all sorts of interesting possibilities. I'm not a big Numbers fan but I suspect Charlie would have issues with Don not being on the list. And the rest of their friends and family.
(Someone really ought to write the story about what happens when all the crossovered geniuses are stuck at the Alpha Site together, too.)
I'm not familiar enough with nearly enough canons to even think about attempting this, but boy would that be fun to read. Plus the possibility that some of these geniuses weren't informed about anything until some military personal picked them up.
I read an interesting Criminal Minds/SPN snippet that had JJ from a Hunter family. There really are a ton of characters that it would work with as all we need is absent family or mysterious family. The McKay's as Canadian Hunters is a fun idea. I have my own private backstory about how they were Watchers and that's why Rodney and Jeannie turned out the way they did.
it's easy to go too far and get accusations of, you know, the equivalent of making everybody Harry Potter's long-lost sister.
This reminds of a challenge that ran around the end of S1 of Heroes that was basically to write a character in the fandom of your choice as a member of the Petrelli family. There were some pretty hilarious results.
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Ooh, link please? I'd love to read this!
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I suspect that most of the fandom characters on that list would have issues about leaving people behind - really, who wouldn't? And the ones who *didn't* hesitate would have their own issues when they got back home... One does wonder just how much preliminary briefing and training they get when they first get on the list. (There's also, of course, the political and privilege issues that would inevitably be there around who ended up on the list disproportionately.)
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But Torchwood's relationship to the parliamentary government of the United Kingdom is something which changes signifigance fairly deeply from season to season, so.
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Which ones? I know a few people (sadly lj-only) who are into various comics as well :D
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(The difficulty with me really getting active in British Comics RPF is that a large proportion of standup and sketch comedy, even British sketch comedy*, hits my embarrassment squick, so the ones who are best known for sketch shows and standup - even, like, Stephen Fry and David Mitchell, both of whom I'm going squishy for atm - I'm always going to be missing half the context.)
Also, Zaltzmann/Oliver on the Bugle counts as a panel show for our purposes. (They do always have a celebrity guest locked in the soundproof safe, after all!)
*for some reason British or Canadian comedy is at least 90% less likely to hit my embarrassment squick than American or Australian.
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...is the Brooker/Mitchell phenomenon based entirely on the power of their adorable meant-to-be-ness on the Big Fat Quiz Show last year, or should I be youtubing Brooker's panel show or Would I Lie To You or something? (My British TV knowledge is based entirely on Youtube and fanfic, because BBCAmerica shows nothing but Gordon Ramsay 24 hours a day.)
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Personally I don't care much for the Brooker/Mitchell; I'd rather read American Fake News/Punditry crossovers, but no one has written them yet and I have no spoons for writing anything myself these days. So I'll wait like so: :)
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There need to be more British comedy/Daily Show crossovers! Really the closest I've found are (far-too-few) with Jon Oliver and Andy Saltzman, which doesn't actually count. The Daily Show is the closest American television seems to come to the BBC shows I've been watching, and that includes American attempts to "remake" British shows. But I can't make it work when I've tried. :/
(However? Charlie Brooker and Keith Olbermann may in fact be the key.)
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http://www.youtube.com/watch?v=zGRvvXoZ_ME
http://www.youtube.com/watch?v=llfRe9oXYkw
http://www.youtube.com/watch?v=VNA4jazidPQ
In which Brooker and Mitchell shout at each other a lot in what is clearly an entirely meant-to-be way.
I might be able to point you towards the episode of You Have Been Watching on which Mitchell guested as well, but I feel I've already been a bit presumptuous for a random stranger parachuting into your journal (sorry). If you're interested, let me know.
(I, er, didn't get here by Googling my own name, incidentally. I was searching for "charlie brooker and david mitchell". That may not be much better.)
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I have independently ... er, moved beyond finding the shows they've appeared on together to the point where I am doing things like sitting up until three in the morning listening to The Unbelievable Truth. And trying to figure out if anybody's written David Mitchell/Clive Anderson pizza delivery porn from that one episode of The Bubble, and if so, where they would have posted it. :D
(I have seen the You Have Been Watching episode. in fact I have recced it to someone else already in my latest post of David Mitchell and Charlie Brooker Love.)
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Hooray, The Unbelievable Truth! I don't know whether you're aware, but two of the episodes in the upcoming series are going to feature Charlie Brooker. I was lucky enough to be at the recording, and the Brooker-Mitchell dynamic was absolutely wonderful.
Sadly, I have come across no Mitchell/Anderson pizza-delivery fic. (That was a great moment on The Bubble. I love it when the guests flirt with Mitchell.)
And I don't know anyone involved but Brooker and Mitchell, but I very much enjoy your Brooker-and-Olbermann fic concept regardless.
Rachel and David just get giggly, and then extremely blitzed on silly cocktails, and end up falling asleep cuddled in a completely nonsexual way on Charlie's sitting room floor, whereupon they awake in confusion and awkwardness to find that the other two have covered them with a blanket, drawn mustaches on them in permanent marker and then left to get breakfast.
THIS IS SO ADORABLE. I AM NOT REMOTELY FAMILIAR WITH MADDOW, BUT THIS IS ADORABLE.