FMK #26: This Is Flat-Out Fanfic
It looks like there will be more non-spec-fic weeks coming up, though, I ended up with 8 more weeks worth of that. I know fewer of you get excited about those but that's what I have on my shelves. There's also four more anthology weeks.
This week's anthologies also did not garner a huge number of votes. I will reiterate you don't have to know anything about the books to vote! A lot of these I bought just 'cause I liked the title so you do not have to feel bad if you vote that way. I suspect last week's voting was on that basis, given that it was a dead heat between Carmen Miranda's ghost is haunting space station three and Brave New Girls: Girls and Gadgets. Brave New Girls won F in the end! Cats In Space won K. Surely... surely ya'll don't have something about Cats in Space? I read all the Catfantastics back in the day; I will have to at least check that one to see how much overlap there is.
I finally finished Locke Lamora, so I have three reviews to get through; IDK if I'll do that first, or a proper yuletide letter...
How FMK works, short version: I am trying to clear out my unreads. So there is a poll, in which you get to pick F, M, or K. F means I should spend a night of wild passion with the book ASAP, and then decide whether to keep it or not. M means I should continue to commit to a long-term relationship of sharing my bedroom with it. K means it should go away immediately. Anyone can vote, you don't have to actually know anything about the books.
I pick a winner on Friday night (although won't actually close the poll, people can still vote,) and report results/ post the new poll on the following Tuesday, and write a response to the F winner sometime in the next week.
Link to long version of explanation (on first poll)
For the midway point, we have a very special theme this week: PEOPLE GETTING PAID PRO RATES FOR FANFIC! Hoorah!
Slan Hunter by Kevin J. Anderson (and Van Vogt) (1995)
The Enchanter Reborn by L Sprague de Camp (1996)
The Red Tent by Anita Diamant (1997)
Flashman: from the Flashman Papers by George MacDonald Fraser (1969)
The Magicians by Lev Grossman (2009)
Till We Have Faces by C. S. Lewis (1956)
Wicked by Gregory Maguire (1996)
The Girl With The Golden Bouffant: A Jane Bond Parody by Mabel Maney (2004)
The Independence of Miss Mary Bennett by Colleen McCullough (2008)
There And Back Again by Pat Murphy (1999)
Rainbow Mars by Larry Niven (1999)
Fuzzy Nation by John Scalzi (2011)
The Black Arrow by Robert Louis Stevenson (1888)
Pride & Promiscuity edited by Arielle Eckstut (2001)
Foundation's Friends edited by Martin H. Greenberg (1989)
Weird Tales from Shakespeare edited by Martin H. Greenberg (1989)
The Day The Magic Stopped edited by Christopher Stasheff (1995)
Fantastic Alice edited by Magaret Weis (1995)
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I like, in principle, that people are still randomly continuing to publish Fuzzy fanfic, but I suspect I won't like that particular one.
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(I didn't like Redshirts much either FWIW for our hostess)
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Kill the magicians.
I'm a bit meh on the red tent. It wasn't horribly bad? It was vaguely memorable? idk. I also just typed "the rent tent" instead and I feel like I would actually read that fic if it was Rent the musical.
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I think the Jedi Academy Trilogy may be the first time I ever read novels that I was consciously aware were really badly written. Important milestone! (I still like the Young Jedi Knights books, though! His wife must have done most of the writing on them.)
I honestly was not expecting this much ire against The Magicians! I remember DW having a vaguely positive response to it when it came out (which is probably why I ended up owning the thing.)
"Not horribly bad" is, let's face it, a pretty high hurdle for published Bible fic.
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Ahem.
Kevin J. Anderson('s books) can go diaf.
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K - The Red Tent by Anita Diamant (1997)
Long ago a friend of mine read this and went on such a vivid diatribe about how horrible it was I've never been able to pick it up.
F - The Magicians by Lev Grossman (2009)
Hoo boy. Most everyone I know hates this, actually with pretty good reason. The author basically set out to deconstruct Harry Potter (when JKR already....did that....but okay) and it's all about how much your life would suck if the golden time was high school. IDK. However, there are two really great female characters, Alice and Julia. I love them and have written fic about them. I loath most everything else about the books though. Maybe try it and see if you can get over wanting to drown the hero in a bucket.
M - Till We Have Faces by C. S. Lewis (1956)
I love this book. It's a pretty idiosyncratic retelling of the Cupid and Psyche myth.
K - Wicked by Gregory Maguire (1996)
I couldn't finish more than ten pages of this. I found it terrible.
K - Fuzzy Nation by John Scalzi (2011)
I couldn't read much of this either because I read the original way back when and my brain kept chanting "IT'S ALL WRONG" and it was hard to make out the words over the din. I wonder what the reaction of someone who'd never read Piper's work might be.
F - Fantastic Alice edited by Magaret Weis (1995)
I have this and think it's pretty good? I don't remember much about it, though.
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The Magicians is not even close to HP deconstruction, it's Narnia deconstruction, and its POV characters are horrible people. If you like spending time with horrible people and you want a perverse Narnia deconstruction, maybe give it a try, but again, the TV series is almost tolerable and the book is crap.
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Voted K on Flashman: from the Flashman Papers purely because it wasn't called Flashman: from the Flashman Papers 2, the Flashy and the Flashier or something that would make the repetition of 'flashman' hilarious instead of just clunky.
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On the other hand, I'm pretty sure Fraser would totally have gone with Flashman 5: The Flash and The Furious if it had been a thing when he was writing. :P
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And one of the other panelists was and is a dear friend-- in fact she is my adopted mother and my child's grandmother-- and we were sitting there going uh there is a long history of intentional non-authoritarian generally female kinship-style networks of writerly influence, as my friend is of a writerly generation who have been known to refer to themselves as Judith Merril's daughters, or Leigh Brackett's daughters, or Kate Wilhelm's. And we could see the words bouncing off his head.
Also, after about forty-five minutes of us trying to deflect the panel away from his continual repetition of MURDER YOUR IDOLS, he had gone on and on and on and ON about his father-figures and had literally not said one word about his mother-figures, which when it comes from somebody with an explicitly Freudian theory-base is, in my opinion, actively pretty darn creepy.
This is why I have never read one single thing by Lev Grossman, and I mention the experience here because it is my firm opinion based on it that nobody needs to.
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//facedesk Wwwwwwow.
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The Magicians, as you can see, is very polarizing. My personal feeling is that I love the Harry Potter parts and hate the Narnia parts so much that when I wrote Yuletide fic for the series, my canon review only consisted of rereading the Harry Potter parts.
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I tend to dislike all published Narnia deconstructions even more than I dislike Narnia, so that sounds fun.
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I remember really, really enjoying Rainbow Mars, especially the wolf sub-story; but the problem is I'm pretty sure I read it back in 2000, and Larry Niven is not someone I've found as enjoyable at this stage of my life.
I also remember enjoying The Day The Magic Stopped or at least some of the sub stories in it.
Fantastic Alice - if you really like the Cheshire Cat then it's probably worth it, if you don't then /shrug emoji.
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I voted F on Til We Have Faces because I'd been vaguely intending to read it and never getting around to doing so for a few years.
K for Wicked. I admit that I have not read it; based on osmosis I do know that its Glinda is taken entirely from the movie, and I'm too fond of who she is in the books to touch it.
I've also never read The Magicians; the reviews I read all made it sound too unpleasant to bother.
For the rest, I judged by title, author, or my fondness (or lack of same) for the source material.
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Heads up that the ending of the book is terrible, though. Totally pasted on, flatly written, sacrificing characterization for the needs of the plot, etc., etc. But if you're cool with reading a book in which all of the good parts are concentrated in the first ~4/5 of the story, then I definitely recommend it.
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