Entry tags:
Testing a Hypothesis
Poll #12695 Les Mis
Open to: Registered Users, detailed results viewable to: All, participants: 111
I first learned the story of Les Miserables via:
View Answers
reading the book
18 (16.7%)
watching the musical
18 (16.7%)
watching a movie version
7 (6.5%)
fannish osmosis
11 (10.2%)
listening to the soundtrack
26 (24.1%)
specifically, listening to a pirated cassette tape of the soundtrack. Repeatedly.
5 (4.6%)
I still don't know the story of Les Mis.
23 (21.3%)
Goddammit you people, I have had the songs stuck in my head for the past week straight. >:|
(ps: so yesterday I learned that on public transit in the middle of a snowstorm is the worst possible place to come down with stomach flu very suddenly.)

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It is a very interesting period of French history!
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omg,you poor poor thing. Yeah, pretty much.
Re: Les Mis.
You didn't leave an option for "none of the above". I learned the story (in general outline) through *cultural* osmosis, not fannish. The story of Javert and Valjean, in particular, gets referenced all over the place.
Also, I lived in France for 2 years as a child, one when I was 8 and another when I was 12. I went to French schools. When I was 8, the reading curriculum included the story of Cosette and the doll. When I was 12, we read the death of Gavroche.
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...I would probably count 'assigned school reading' as 'read the book', though.
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Apart from that, I'd say cultural / non-fannish osmosis, too.
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(It's just been moved up to the top of my list of 'things to read when bored at work,' so hopefully I will acquire knowledge relatively soon. Although knowing about the furniture section is putting me off a little, given how much I hated the whale section of Moby Dick...)
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Hearing people talk about the long digression about the Paris sewers is tempting me to pick it back up, though. (Paris! Sewers!! :D)
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So I still wouldn't have a clue if it weren't for the recent movie, and the attendant abbreviated plot summaries in reviews. But that's not quite fannish osmosis, and as a technical matter I did first learn whatever I knew of the story from the show. So it seemed like the single most accurate choice, but if there had been ticky boxes instead of buttons I'd have checked at least three.
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This does not go over well when they're sobbing over "bring him home."
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http://en.wikipedia.org/wiki/Les_Mis%C3%A9rables:_The_Dream_Cast_in_Concert
Then, once I had seen and fallen in love with it there, I purchased the soundtrack. (The original cast recording, which was a mistake--the voices used in the original production are, in places, a lot more "musical theater character voice" than the classically-trained powerhouse voices that have become traditional since then.
Then, in my senior year of high school, I took Advanced Placement Literature. We were required to read eight classic novels outside of class (we had a list to choose from) and come in to discuss them with the teacher during our lunch breaks. If we were taking a foreign language (French, Spanish, or Japanese) we were required to read a novel that had originally been in that language. She *strongly* pushed Les Miserables for French students and Don Quixote for Spanish students. I took French, so I read Les Mis (and she about hit the roof when I called it that).
The original, unabridged novel is an awesome 500 page novel, several great novellas and short stories, and a few decent essays, all trapped together in one 1200 page behemoth with some dreck for filler. You can definitely tell he got paid by the word. That the story is so compelling despite all that is proof of the power of Victor Hugo's abilities. But I would highly recommend the abridged version instead, if you don't have to read it for a class.
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Since then I've acquired the London cast recording soundtrack and seen the HughJ movie. I'm wishy-washy on getting the soundtrack for the movie b/c I'm pissed they didn't include "Do You Hear the People Sing" - b/c wuh? why would you leave that off?
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I read the book eight times at six-month intervals-- not skipping anything, even Waterloo-- and I browsed and reread favorite chapters even more often. I saw the musical twice more in college, the next two times it came through Iowa City. After the third time seeing the musical, at which point I was twenty, I was pretty much done with it for over a decade, though at that point I had the entire show and large swathes of the book memorized, so it wasn't so much that I stopped reading/listening as that I no longer had to.
I saw the new version of the musical last year at the Kennedy Center, and while it was lovely to see it again, it didn't tip me back into fannishness. The movie of the musical, though, brings in enough of the book to have flipped a switch somewhere-- I've seen the movie twice, just finished my ninth read of the book, and am wallowing in fannish feelings-- the kind of wonderful fannishness you can only have when you revisit a very formative fannish source and find out it's even better than you remember.
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I had some version of this feeling with my yuletide fandom this year, and it was wonderful, although I think I managed to back out of it before the switch quite flipped all the way.
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For fannish osmosis, read: summer camp in elementary school in which I learned Do You Hear The People Sing off by heart. ;) And then osmosis through the years for the rest of the basic plot summary (loaf of bread, etc). And then since the movie came out for everything else. I *was* surprised to learn it was not about *the* French Revolution, though, but about an unsuccessful one instead. Ah, the failures of osmosis.
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I stole the book. I didn't really mean to steal it, it's just that I never got around to giving it back, I guess. I proceeded to read the first 100 pages or so, up to the point where Valjean steals the silver, and then went off to read other things while never returning it. So that part I know from the book.
After that, I at some point heard the soundtrack which was supposed to be on two CDs, but I only had the first one.
Skip to a month ago, and I watched the movie, which was my first introduction to everything that happens after the second CD.
Then I read someone's fannish book review, so I got to learn about Waterloo and the sewer digressions and the relationship between Eponine and Gavroche.
None of the ticky-boxes quite worked for me :)
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And I guess for the poll question, you'd have to figure out at what point you thought you knew the plot, which is up to you figure out. (I still haven't seen the movie/play, so I have no idea how accurate my head-version is, anyway.) :P
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(Ugh, I hope you feel better. Based on recent experience, a friend of mine would like to argue that in the airport about to board a transatlantic flight could also compete for the worst possible title.)
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Although I could at least get off the train at the next stop and barf into a snowbank until my stomach settled a little and the next train came. On a plane you're a bit more trapped for longer. So I can see the point.
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DS9 did not prepare me for the eventual denouement of the Valjean/Javert saga, let me tell you.
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I have been rotating through my soundtrack collection (4 languages, many recordings) since December, occasionally interspersed with other musicals. Last week I CRIED AT WORK while listening to Ragtime, wtf is wrong with me.
(Previously I spent almost a year listening to almost nothing but Irish music. Unfortunately, musicals are not as good for practicing dance steps under my desk.)