Things I Have Learned Recently
1. I am never, ever going to be the next hot mashup artist, because none of the songs I want to mash up have acapella (or karaoke) tracks available. I mean I can understand Spike Jones or the Original Broadway Soundtrack of The Sound of Music not having any, but surely They Might Be Giants acapellas are out there somewhere?
1a. For some reason all my Homestuck fic bunnies now come with bonus mashup ideas.
1b. Why don't people do fannish mashups, anyway?
2. There's a small kinkmeme I'm reading where I've sworn to feedback every story (not hard, they are all really good), and I have learned that if my feedback options are a) leave a one-sentence anon comment after reading, or b) find the link to the AO3 repost, log in to AO3, navigate back to fic, scroll down to the kudos button, leave kudos, navigte back to kinkmeme, my brain still thinks that b) is easier.
3. I really need to stop reading Homestuck fic because now when I read fic in any other fandom and a character goes all angsty about how their love interest will never reciprocate because it's just pity, I can't understand why they would be upset...
4. Something in my head is unable to understand Clint/Coulson fic, because it keeps going "why would you write about two extremely minor male characters when you could have Darcy in your story instead?"
1a. For some reason all my Homestuck fic bunnies now come with bonus mashup ideas.
1b. Why don't people do fannish mashups, anyway?
2. There's a small kinkmeme I'm reading where I've sworn to feedback every story (not hard, they are all really good), and I have learned that if my feedback options are a) leave a one-sentence anon comment after reading, or b) find the link to the AO3 repost, log in to AO3, navigate back to fic, scroll down to the kudos button, leave kudos, navigte back to kinkmeme, my brain still thinks that b) is easier.
3. I really need to stop reading Homestuck fic because now when I read fic in any other fandom and a character goes all angsty about how their love interest will never reciprocate because it's just pity, I can't understand why they would be upset...
4. Something in my head is unable to understand Clint/Coulson fic, because it keeps going "why would you write about two extremely minor male characters when you could have Darcy in your story instead?"
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Also 1b I wonder if there's someplace where people do, tbh! Especially given how multimedia HS fandom's creative output is. I have no idea where one would look, though.
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And there have been well-known fanvids done to other folks' mashups, and vidders do a fair amount of audio editing sometimes, And of course to some extent the vast majority of mashups are fannish in one way or another. But I don't really know of any in the sense that I am thinking about them, that of "this song totally speaks to this pairing/character/fandom/fic! And so does this one! And if you combine them you can make it perfectly and explicitly about this thing!"
But and it seems (to me) like mashups get to combine some of the best bits of vidding & fanmixes & filk & songfic, so why aren't there more?
(I once combined Vera Lynn's "There'll always be an England" ripped from the opening of the Sex Pistols' tour DVD, + the Sex Pistols' voiceovers, with the theme from Torchwood, to make a theme song for the fic I was working on, but I was only doing it because I couldn't find any interesting covers of the song, and I didn't even realize that was what I was doing until it was pretty much finished.)
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This works reasonably well on most tracks that are mixed that way! But the older, and less pop/electronic mainstream, the track is, the less likely it seems to work. (most obvious: if it wasn't recorded in stereo or with multitracking, that ain't gonna work, which means to start with almost nothing recorded before 1960. Of course if it wasn't recorded with multitracking there aren't going to be surviving acapellas anyway, hence my dilemma.) Most TMBG vocals seem to be slightly off-center, which means you can get rid of *most* of the vocal, but not all of it, that way. And you can't do the reverse and erase the instrumentals and only leave vocals, though it seems like you should be able to.
Is there a way to do it using only frequencies? It would be awesome if there was...
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...of course my memory for tunes is such that half the time I end up doing things like that without realizing it. I spent much of 1997 involuntarily singing "Can You Feel The Love Tonight" over "My Heart Will Go On" every time I walked into a public space ...which for the record is the mashup from hell.
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As someone who has been reading ALL OF THE COULSON fic... okay, I have never actually seen Thor, and I'm not sure I'll ever get around to watching it (a friend who died was really looking forward to it and died before it came out, plus I have heard it's not that good -- a bad combination). And after discovering the character through reading Avengers fic and looking him up, I was able to dredge up the memory of Coulson from the Iron Man movies, which I have seen... and okay, I probably will not watch the Avengers, and it took me two days to get through Captain America (this speaks to how good the movie is, that I did end up finishing it. Usually when I go "oh my god I can't keep watching, humiliation squick", I never come back), and I am not exactly invested in these fandoms as movies, I am invested for the fic...
All that said (basically: I am here for the fic, what is this canon everyone talks about?): Coulson is My Kind Of Character. I have a type. I have a very specific type, and Coulson hits it. He is the guy in the corner, the really competant one, also sort of a crossover with my other type of The One Who Gets Left (as opposed to: The One Who Leaves, which are the heroes, the adventurers, etc), the background snarker, etc. He is my type!
And with Clint... I dunno. Because that's who he gets slashed with?
Also, the point about being minor: that's a selling point for me. I always fall in love with a minor character. And that's also a crossover with my Type: the really competant people? The people who get left? Are not the heroes. They are not the ones the story is about. And I want all the stories about them, so clearly I have to write them/seak them out in fic and squee because someone is writing the story that I wish the actual story (i.e. canon) had been about. And alas it wasn't, because we are never getting a 2 hour movie/400 page book about them.
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And yet somehow my brain still goes "But it could have Darcy in it, you know." This is why I am puzzled.
(If you haven't experienced Darcy yet, you should find some fic with lots of Darcy in it. Lots of it is pretty heavy on the Thor canon, but to be honest, all you need to know about Thor canon is a) Jane and Darcy are women! Who are friends! And also smart! And these things are more important than any of the men in their story! b) Thor and Loki have major daddy issues and UST-ish sexual tension; Thor is the buff blonde one who hits things and Loki is the skinny dark one who manipulates people; and c) Clint and Coulson have a scene together in which there is snarky fondness.)
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And being Coulson/Clint does not mean that Darcy cannot be awesome in it. Like this one.
Do you have recs? I try to avoid really canon-heavy fics that require canon knowledge, which I do not have, but I've found that if the deep-in-the-guts-of-canon fic is well-written enough, you don't need to know more than the absolute basics about canon to follow along. (Those types of fics are also the sort where you go: why can't canon be as good as the fic? and weep.)
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Thor is the superhero movie this summer that did right by its female characters! ...completely unlike XMFC, I can see how confusing them would give the wrong impression.
I don't actually read too deeply in this fandom, but really you could do worse than starting at the top of the Clint/Darcy by hits page on AO3 and working your way down, as long as you don't mind a lot of Clint. (If you mind a lot of Clint, you might have trouble with Darcy fic.)
Also there's The One In Which Darcy Lewis Punches Captain America's V-Card, which is widely rec'd for a reason.
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Oh, and sort of an amazing thing about the TEAM thing: I get it! I get the team thing! This is amazing and awesome, because the other TEAM fandoms like SGA, I do not get it at all. Which is a shame. :( But I totally get it for the Avengers, which is yay. ♥ They are a team! They fight crime! They live together! Depending on who the writer is, different people are sleeping with each other! They get along! Together, they fight crime! I totally get it!
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And I get more TEAM with some fandoms than others, but *definitely* with Avengers. I think with SGA, I *wanted* to go all TEAM with it, but the show never really showed it (even SG1 - maybe it's partly the exgencies of series television - the team were absolutely bonded and I ate team!fic with a spoon, but, at least onscreen, it wasn't really like the Avengers, a sprawling cuddly family where once you're in, you're in for life, and so are all your friends and relations too...
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Yay, not just me. I didn't watch all that much of canon -- 2.5 season? about that? -- so I'm never sure if it's not just that I missed the episode with a lot of TEAM feeling.
Also, and I wonder if this might have something to do with SG1 -- it's the issue that there's a military structure. SGA less so, but I loved Ford, so just handwave it: but TEAM, to me, seems like it might require a certain equality between the team members. It's the "we're all in this together" feeling, and that gets a little weird when you have that inside a military hierarchy where people are on different levels. Like, if they were all privates or all sergeants or all captains, that would be one thing. But you have O'Neill and Carter, and O'Neill's her commanding officer. And John Sheppard is the military commander of the entire base, and for all he's laid back, there is a certain heirarchy there. It's less of a puppy pile when you're calling someone Sir, y'know?
But this might just be me, and I haven't spent too long thinking that over. Hmm. There's the Fellowship, which certainly has hiearchies, but otoh, there is a sense of "we're all in this together to achieve that big goal", so there's that, so even with the tensions and the ring factors, they were united in the same goal and were getting there togther, with everyone's expeirence and expertise being valid and important... sort of. I used to have all the thoughts about Aragorn and Boromir's interactions and how Boromir basically chanced into being in Rivendell at the right time, he wasn't exactly invited, but even then, it's conflict that's somehow outside of it. It's not conflict about the main thing, it's conflict about something else that's occuring while they are all united. So we all have goal X, but meanwhile, we're still going ot argue about A, B, C, and Minas Tirith.
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The benefits of being a total fannish butterfly!
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