The nearest pokestop I can access is approximately 1 hour's walk from my house. Fun facts! (But I did get my third 7-day streak in a row, yay me walking four miles in the rain.)
So, The Female Man
by Joanna Russ. This is a book that has A Lot Of Things To Say so I am absolutely not going to even attempt to do that justice in this post, okay. tl,dr: I am going to keep it on the shelf, but I am going to keep it resentfully
It is very much:
a) second-wave feminist, and
b) literary fiction, not genre fiction.
Read it if you want to read a frequently didactic and/or polemical text that exemplifies second-wave feminism but is relatively readable despite that. Or if you like the sort of literary fiction that is obsessed with its own genius and hits all the cliches from over-elaborate structure to self-insert MC who is a frustrated writer in NYC to the affair with a much younger woman who you are in a position of authority over but you couldn't help it, she came on to you and you were really sex-deprived, what were you supposed to do! Only with white feminists instead of boring white dudes. At least the sex scenes are reasonably well-done.
If you are interested in really cool post-capitalist post-industrialist utopian worldbuilding, read it but skip everything but the sections in Whileaway (and maybe the chapters at the end with Jael, but only if you are willing to wade through the neck-deep transphobia in those). It's pretty easy to tell which chapters are Whileaway and you won't be missing any important "plot" if you skip the rest, I promise; it barely exists and doesn't make a lot of sfnal sense when it does. (Or just read some Monique Wittig instead, 'Lesbian Peoples' is nothing but the second-wave feminist lesbian utopian worldbuilding.)
It's honestly really hard for me to separate my problems with it between the second-wave feminist part and the literary fiction part, because they basically both reduce down to the MC is a self-absorbed asshole with no real empathy in her POV.( spoilers below, as usual. also this book gets warnings for sexual assault, statutory rape, extreme violence, and virulent transphobia. most of which the author pov is okay with. )
The above makes it sound like I hated the book, and okay, I did hate the book a little. But for all of second-wave feminism's issues, it wasn't wrong
about the things it did deign to pay attention to, and on the whole, neither is this book. And if there's anything last year in America taught us, it's that the job they were trying to do in the 60s and 70s and 80s still isn't nearly done. And for what it is - for a literary novel published in 1975
but tLHoD was published in 1969
that is too into its own cleverness to get out of its own way and frequently interrupts itself for long tirades of textbook second-wave feminism, it's pretty readable and makes important points, and Whileaway makes up for a lot
But if an SF writer randomly put in a chapter in the middle of a book that was literally nothing but ranting about how mainstream critics failed to recognize the author's genius, they would be laughed out of fandom regardless of how justified they were.
I mean, even Ann Rice hasn't tried that
There's a self-congratulatory bit at the end about how if a time ever comes where women read the book and don't resonate with it, that means its work is done. a) its work is not done, b) resonating with Joanna is not the way to finish it.
Also why the hell did she feel the need to keep translating the matronyms as ---son even after she learned they were matronyms not surnames, it's not like Evasdottir is an incomprehensible name to modern Earth people.